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From
1850 to 1930 the painters of the Creuse became a coherent group of artists.
They formed a school of landscape painters who shared, with their varying
personalities the love of a colourful valley.
The valley of painters |
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William
DIDIER-POUGET, Anders OSTERLIND, Léon DETROY, Henri JAMET, Allan OSTERLIND,
Maurice MOISSET, Paul MADELINE, Emile -Othon FRIESZ, Francis PICABIA
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Gargilesse
was the first village in the Creuse Valley to have known an artistic
invasion.
George Sand came to Gargilesse from 1857 onwards, and the village rapidly became a working holiday resort for the Paris artists. Around 1860, the banks of the river Gargilesse, the mill on the Creuse, the tower of Chateaubrun, the Black bridge and the Whirlpool lured the painters tempted by working outside. Even if most of the artists only came for short stays, some of them found here the source of their inspiration. Among them: Allan Osterlind (1855-1938) who obtained his reputation with his country scenes. His son Anders Osterlind (1887-1960) was one of the most well known landscape painters of the Valley of the Creuse. The painter Henri Jamet (1858-1940) was the head of a family of artists who did much for the fame of Gargilesse and his son Pierre, the well known harpist, opened an academy of music in the village and founded the famous harp festival. Not forgetting the landscape painter William Didier-Pouget (1864-1959) and the artist Leon Detroy (1859-1955) who lived in Gargilesse. His landscapes of the region totally renewed the ideas of Guillaumin at Crozant. |
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Where
to see the paintings of the Creuse? |
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© Pictures André Douarinou and Gargilesse Municipality